Joanna Hogg’s third film has been a buzz-magnet on the recent festival circuit, drawing comparisons to Haneke, Tarkovsky, Malick, Antonioni, and Akerman. A well-off, artistic West London couple identified only as D (she) and H (he) find their already tenuous relationship threatened by the impending sale of their home. Through coolly meticulous compositions and sound design, Hogg dissolves the boundaries between exterior and interior, and between architecture and inhabitant. The house itself (a glass-and-partitions modernist showpiece) truly becomes a character in the film, functioning as the couple’s child, mirror, sanctuary, prison, lover (most explicitly in D’s furtive acts of exhibitionism and masturbation), and much more.
以女性向为主视角的婚姻关系检视,极具形体表演和装置艺术质感的展示,充满微妙的声音,色彩和光影的设计,会不断看到惊喜。家的建筑充当了有多重解读空间的喻体,角色的艺术家身份和导演对内外界限的有意模糊为两性间的普通生活细节提供了一个直白但又抽象的演绎,非常有趣。
故弄玄虚,镜头和光影也没有什么味道,长镜头也是一摊碎。为了防止这种烂东西再次出现,必须果断给低分。
住在whitecube里的两个人一丁点都不像夫妻简直就像在gallery里工作所以大概这个片子才叫exhibition吧。话说这家人其实品味真的挺差的,而且Liam Gillick怎么都开始演电影了。。。还是就看半分钟抖森吧。
Sorry I walked out