A modern Cinderella story set in New York City's Chinatown, Year of the Fish is a classic tale retold through the eyes of a young woman struggling to find a new life in the United States. Director David Kaplan has gathered an all-star cast, filmed them in live action, and then applied an algorithmic painting technology to achieve the rotoscoped animation. The result? Year of the Fish pops from the screen like a painting come to life. This is the level of originality we've come to expect from Kaplan--Sundance audiences may remember him for short films of fairy tales reconceived in a unique style all his own.
Although Year of the Fish is best described as an adult fairy tale, make no mistake: this story is a deep one. It tackles the realities of immigration and the frighteningly common occurrence of young people who, desperate for a better life, fall prey to an existence as indentured servants. This dark story becomes instantly palatable when wrapped in Kaplan's lovely package--a tribute to his storytelling talent. Year of the Fish is beautiful to witness and as ironically mysterious as the American dream itself.
--© Sundance Film Festival
真心对这种风格不满意,人们愿意看卡通片是因为卡通片能把演员表达不出的表情以及做不出的动作表现出来,要么就是形象很可爱很酷。真人动画?不伦不类的,就好像是在底片上色,画色添足。
女主尼玛丑到爆,完全没有闪光点让男主爱上他好吗!虽然男主也不好看,但看在他入我眼的份子上就不计较了....当然,画面处理还是蛮特别的。
灰姑娘的故事現實的樣子
呃。。。看不下去了